During
the May 2005 North Slope Historic District program, NSHD Board Member
Marshall McClintock guided us toward resources that can help determine
your house style and selecting what colors are appropriate. Here
are his suggestions:
Determining Your House Style:
James Massey & Shirley Maxwell, House styles in
America (1996) is an overview of house styles from the 1600s to the
present day.
Casey Rosenberg, A streetcar suburb: Architectural
roots of a Seattle neighborhood describes the house styles in
Seattle’s Capitol Hill, which is similar to the North Slope.
Queen Anne. See “Queen Anne and
why we love her so” in Old House Journal (March/April, 2005). The
Stick style is the most common variant of Queen Anne in the North
Slope. See “The Stick Style” in Old House Journal (May/June,
2003). To see how its ornamentation has often been stripped off, compare
the twin houses at 318 and 320 North I. The Shingle style was
also a popular variant of Queen Anne. These low, broad houses are
sheathed all in shingles with a variety of “quaint” windows. See
“Shingle vision” in Old House Journal (Sept/Oct 2003).
Craftsman (often called
Bungalow in its 1½ story version). This popular style is found
throughout the North Slope. See “In search of Craftsman homes” in Old
House Journal (July/August 1996).
English Revival (often called
Tudor). Half-timbered facades characterize this style. In the North
Slope, see 624 and 702 North I and cottage variety with its rolled eaves
at 815 North L. These were painted like Craftsman style homes.
Neo-Colonial and Neo-Classical styles
have some minor architectural differences but were typically painted
similarly., see “Neoclassical style (1890-1920)” (Feb 2002) and “Early
Colonial Revival” (June, 2004) in Old House
Journal.
Foursquare. The foursquare is
more of a floor plan than a house style. Its style can vary from Queen
Anne to Neo-Colonial to Shingle to Craftsman and interesting
combinations of these as well. See “The American Foursquare (1890-1935)”
in Old House Journal (Sept/Oct, 2001).
Cape Cod. This small cottage
became ubiquitous in the 1920s eventually replacing the bungalow. They
were typically painted as Neo-Colonials. See “The Cape Cod Revival” in
Old House Journal (April 2003).
On selecting colors:
Roger Moss. Century of Color: Exterior Decoration for
American Buildings 1820-1920. (1981) is the bible for historic color
schemes. While it covers a broader period than is relevant to the North
Slope, it gives excellent paint history and examples,
Roger Moss and Gail C. Winkler. Victorian Exterior
Decoration: How to paint your Nineteenth-century American house
historically (1987). This is an update of Moss’ earlier book with
more photographs and a chart mapping Victorian paint names to
contemporary paints from Sherwin-Williams, Benjamin Moore, Glidden and
Devoe. Later styles (especially the Four Squares) often used the same
colors in simpler schemes.
Blanche Cirker, Victorian House Designs in authentic
full color (1996) and E.K. Rossiter & F. A. Wright, Authentic color
schemes for Victorian houses (2001) reproduce period color illustrations
of house paint schemes.
Robert Schweitzer. Bungalow Colors: Exteriors.
(2002). This new book focuses on the period from 1900 to 1920. The title
is somewhat of a misnomer since the book covers most house styles of
this period, especially Four Squares and not just bungalows.
Old House Journal has a number
of articles on historic house colors. See “Colors for a New Century:
Picking exterior paint for post-Victorian houses” (June, 2003),
“Bungalow porch colors” (August 1997), and “The vary best colors”
(August 2004).
True Colors Palette. (2003).
www.vancouverheritagefoundation.org
The Heritage Foundation of Vancouver, B.C., has developed
in conjunction with Benjamin Moore a palette of historical colors based
on paint matching research from over 50 historic Vancouver homes. The
Heritage Foundation also provides excellent pamphlets on identifying the
decorative style of your home and developing historically appropriate
color schemes. Historic Seattle is currently working on a similar
project.
Benjamin Moore and Sherwin
Williams have developed their own historic palette cards to help you
select colors. These cards are limited in the colors they can show, but
remember that colors from earlier periods were frequently used in later
periods.
Elizabeth Pomada and Michael Larsen have published
several books on the elaborately detailed color schemes known as
“painted ladies”. These include Painted ladies: San Francisco’s
resplendent Victorians (1978) and Daughters of painted ladies:
America’s resplendent Victorians (1987). These books provide a good
source for identifying complementary trim colors, but many of the houses
pictured are not painted historically.
Selecting paint. Consumer Reports,
June 2004 (p. 30) and June 2005 (p. 29).evaluate brands of paints for
their appearance over time, ability to resist dirt build up, color
change over time, and mildew resistance.
Color consultants. Clint Miller
(206-841-3054) specializes in historic renovations. Karen McClain
(253-572-9320), Rhonda Canales (253-232-3289)